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Author: info@hartslane.org

Invisible Visible Open Call

Dates:

Open Call open: Tuesday 2nd of January 2024
Deadline for submissions: Sunday 21th of January 2024

Drop-off date: Wednesday 13 March 2024, 4-8pm 

Exhibition dates:
15-24 March 2024, 12-6pm
Opening night Friday 15th, 5-8pm

 Part of The Telegraph Hill Festival 2024

Supported by:

‘Invisible Visible’
A Celebration of LGBQT+ Bodies and Identities

OPEN CALL FOR ENTRIES

Deadline for submission: Sunday 21 January 2024

Submission Form

‘Invisible Visible’ is a group exhibition hosted at hARTslane that will be celebrating LGBTQ+ identities and bodies, as well as the freedom of expression and identification in terms of one’s gender and sexuality. The aim is to bring together LGBTQ+ artists that live in New Cross and surrounding areas in order to support the community and its creativity. The exhibition will be curated by queer visual artist Usva Inei.

We are now looking for entries for the exhibition. We welcome artwork of any media that responds to the themes of the call, including, but not limited to drawing, painting, printmaking, video, workshop, performance, sculpture, and installation. Please note that since we want to include as many artists as possible, you may be asked to edit or resubmit work that is very large. Depending on the number and type of entries, video work, performances, and workshops may be shown during viewings or events rather than throughout the show.

We will not be accepting work that is derogatory or against hARTslane’s inclusivity policy.

Eligibility and Submission:

We welcome any work by individuals that identify as LGBTQ+ and live or work in New Cross or surrounding areas (e.g., Peckham, Deptford, Telegraph Hill).

This exhibition is to celebrate and bring together the work of local LGTBQ+ talent. For this reason, we have left the theme intentionally quite vague and open for you to interpret. Our main goal is to bring together local LGBQT+ talent.

Your work does not need to be completely finished for the submission, you may submit a sketch. However, we need to be able to get an idea of what you will be creating.

We will accept one work per artist.

We will not be accepting work that is derogatory or against hARTslane’s Equality, Diversity & Inclusion Policy.

Submission of work and participation are free of charge.

Click HERE to submit your work. 

Drop-Off and Pick-Up of Artwork:

You will need to physically drop off your work at hARTslane on Wednesday 13 March 2024, 4-8pm (or have someone drop it off for you). The work needs to be ready to hang.

Please provide written detailed instructions on hanging and installing. We will have nails and screws but If your work requires special fittings, you will need to provide them and you may be asked to help with installation.

Artwork will need to be picked up on Sunday 24th of March between 6 and 8pm. hARTslane does not have the space to store work outside of exhibition dates.

Curation:

The exhibition will be curated by visual artist Usva Inei. Usva (they/them) is a trans non-binary visual and performance artist. Usva mainly works through mixed media installations, with printmaking being at the centre of their practice. Working from their own lived experiences as a queer immigrant, Usva’s artwork addresses themes of misuse of power, suppression of freedom of speech, and generational trauma.

Following hARTslane’s policies, we aim to take all submissions. However, please note that due to spatial restriction, we may need to ask you to adapt or resubmit work if it is large. Depending on the number and type of entries, video work, performances, and workshops may be shown during viewings or events rather than throughout the show.

Care of work and liability:

The utmost care will be taken of all work submitted, however hARTslane shall not be liable for any:

  • theft of, loss of, or damage to the artwork whilst on display/exhibition or stored in the gallery or the Artist’s property during the exhibition period;
  • personal injury of the artist except to the extent that this was due to hARTslane’s negligence;
  • exhibiting artists will assume the responsibility to insure their works. The gallery is covered by Public Liability Insurance policy.

Photographs:

Exhibiting artists accept and agree that all works in the exhibition may be photographed and used for publicity and promotion of the exhibition (including on social media).

For further information please email info@hartslane.org

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Exhibitions, Opportunities

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The Dinner Art Project

The Dinner Art Project

A series of events for sharing food and stories

Saturday 23rd September, 1-4pm
Free entry, all welcome!

Intimate ingesting;
ingesting intimacy
by artists Fatima Alaiwat & Barney Pau

Creating three different dishes all using the same ingredients, exploring the variety that can be found in repetition.

A project by hARTslane.

In collaboration with:
Deptford RoyalNaval Place Allotments and GS Wines
Supported by Bold Vision  

Rather than focussing on the novelty of an array of different foods, this event will focus on repetition as a means of care and intimacy. The artists will explore ways of activating food/eating as practise for relearning, reinvesting and rewilding things we care for. Over the course of the event, Fatima and Barney will create 3 different foods, all using the same ingredients, to focus on the variability that can be found in repetition. These could take place on the hour.
One part will be about the physicality of eating; one about provenance; one about a poetic intervention. The intention is to explore how these three separate approaches invite modes of intimacy in ingesting.

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Exhibitions

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FLYNN

Flynn Richards

BSBH COORDINATOR ASSISTANT

Flynn  is a 20 year old, South London based artist designer, currently in his final year of Interactive Digital Design at the Brit School. With a background in Dance, he has a great interest in movement and body language, and how that can translate into 2D animation. His ambition is to create a more understanding world, celebrating diversity and the magic of the everyday through the art of animation. As BSBHs media designer, Flynn creates visuals, illustrations and small videos, as well as assisting Jada in coordinating the BSBH Youth Forum.

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JADA

Jada Perry

BE SEEN BE HEARD COORDINATOR

Jada is our coordinator for Be Seen Be Heard Youth Forum since 2020, producing series of online workshops and tutorials, organising exhibitions and leading social media and communications. She is currently a student at Ravensbourne university working towards a foundation diploma in design and media, specialising in visual communication. As an artist, Jada enjoys producing pieces that educate people about various issues in modern society.

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rachel

Rachel Lonsdale

PROGRAMME ASSISTANT

Rachel is a multi-disciplinary artist and events producer. She graduated from Wimbledon College of Art in 2020 with a BA degree in Fine Art. Rachel’s work takes small moments of human behaviour and replays them, rewinds them, and restages them into fiction using performance, text, humour, spoken word and installation. Rachel is an advocate for creating an accessible platform for artists who are trialling and experimenting with live and performance work. Rachel was a co-curator in the summer video screening project at hARTslane whereby fine art films were projected onto a dust sheet on the wall opposite the space.

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Mary

Mary McInerney

ART FACILITATOR

Mary studied Creative Arts at Newcastle Poly and completed an MA in Social Work at Goldsmiths College. She grew up in The Worcester Arts Workshop, which was a free creative space where people came together to make theatre, dance, music and lots of painting and pottery. She is a yoga teacher and dance practitioner as well as an art facilitator.  She has a particular interest in advocacy and people having a voice. She very much shares hARTslane’s vision of empowering people and communities through the arts. 

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Tisna

Tisna Westerhof

DIRECTOR

Tisna is a multi disciplinary artist, and art educator. She has a Bachelor Degree of Fine Art in Education (Amsterdam), a BA in Printmaking-Royal Academy of Art (The Hague) and a MA in Scenography-Central St Martins (London). While her practice is grounded in printmaking, she revels in breaking down the limitations of materials and reinventing traditional handicrafts, a powerful, personal, political and poetic tool. Interested in people engaged in a project of self-transformation and motivated by the function of art education in society, Tisna uses her voice in ceramics, textiles, installation, painting and printmaking as well as organizing, curating and collaborating with others. All are interconnected and attempt to give voice to the underrepresented and to dream a better world, free of social injustices and intolerance.  

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Sigrun Sverrisdottir

Sigrun Sverrisdottir

DIRECTOR

Sigrun is a building & interior designer. A graduate of Kingston Polytechnic, she works mostly in London and teaches Interior Design at Kingston University.
Sigrun’s interests traverse the fields of art, design and social transformation. Her passion is the art of communicating a building’s potential through drawing, painting, photomontage or any visual means necessary. Often working with vacant, near derelict buildings, the challenge is to explore their potential through sketching, often in charcoal, the way the spaces are animated through daylight.
Being part of the campaign to bring this council property into public use, her focus tends to be on the fabric of the hARTslane building, using her keen interest in sustainability and developing an eco-conscious organisation.

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Cristiana Bottigella

Cristiana Bottigella

DIRECTOR

Cristiana has a degree in History of Contemporary Art (Milan) and an MA in Cultural Policies (London) where she completed a dissertation on leadership and resilience of social enterprises in the cultural sector, which remains one of her main areas of interest. In 2011 she co-founded Bait al Karama, the first women-led Palestinian cookery school in the West Bank, which has brought her to spend long periods of time in the Middle East and to develop a passion for food as political and cultural resistance. Having established and run the artists in residency at the Pistoletto Foundation in Italy for ten years, she has on ongoing interest in the social function of art and in nurturing emerging talents.  

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